She hangs by her ankles in a dark room. A faint light illuminates her body, naked, ethereal. Her sounds, high-pitched cries and squeals muffled by the gag, echo in the darkness. The rope that pinions her arms behind her also draws back her shoulders, pushing her breasts outward. Dim shapes of the surrounding chamber compose the frame, her shape centered, as though hanging meat can be a thing made divine.
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Delicious and demure mila faces the Insex torture machine with quiet acceptance and a bit of nervous jitters. The Live Feed is a study in how small torments accrue, how they work into the psyche and physique, and how, when you create enough little pains, all you have to do is wait. In mila’s case, she just got more and more creamy, foaming at the clit, leaving a smear of wet beneath her pussy.
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Bondage is a sexual desire to see naked women suffer as they are tied up in unusual positions. To be beaten, whipped, caned, waxed, tied up, strapped down, and lifted into mid-air is not as easy as it looks. This process is extremely painful. The people of today enjoy looking at and being entertained with this sexual desire.
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Angelica suffers a grueling Live Feed of agony, laced with short bursts of ecstasy. Repeated strangulation, painful bondage and shackles, cigarette burns, caning, the milking machine, cunt torture, and orgasm leave her lost in a state of stupefying exhaustion.
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Young 731 takes a break from her hectic schedule to continue with her lessons in the art of pain and submission. Disguised in her street wear and glasses, the trained and trussed bondage slut wallows wantonly on the studio floor.
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Two young innocents are taken through the Insex test. Rope bondage, tickling, foot torture, nipple clamps, and pussy. Two very wet, drooling pussies, one pink, one beautifully dark. Mr. Pogo’s energetic work on the first pussy elicits thick, milky pussy juice. The second cunt is dripping before Mr. Pogo ever gets to it.
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922 returns to Insex for the step by step caging of a girl. Strenuous bondage, wrist suspension, and severe confinement. A recipe for madness. In the first scene, she’s newly arrived, bound into a difficult position, choking and drooling. A grueling suspension follows. Hanging by her wrists, she’s stripped and left that way, writhing in pain. Finally, 922 is locked into the bird cage, her head outside the upper hole, the metal rungs poking into her neck, holding her just a little too high to be comfortable.
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Trailings is a compilation of slices, brief views as though through a window. The focus is bondage. The medium is flesh. The first is bound in a hogtie, still clothed in jeans, sneakers and tight top. The ankles keep tension on a rope that is wound about her neck. She struggles, growing pale as time passes. A pulley is lowered. The rope that attaches her ankles to her neck is raised, creating a curved bow to her body and a faint blue about her eyes and mouth.
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What begins as your everyday abduction ends with the big stunner, a martyrdom replete with a crucifixion. She begins unhappy. Unwilling? On the floor of a straw-filled barn. She wears jogging clothes as though he caught her unaware. She struggles, her ankles and wrists locked into stocks made of metal rungs bolted through an old four-by-four. A feed sack has been shoved over her head. She moans and cries.
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Two new applicants are introduced to insex and each other in a trying dual interview. The first candidate, 21 year-old donna, is a college student eager to explore. PD familiarizes her with the ropes straight off, cinching elbows together behind her back and forming a neat loop around her neck.
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